Color Grading: Eric Hansen
Adobe Premiere CS6, Davinci Resolve, Twixtor, Dolby PRM-4200 monitor, Avid Artist Color control surface
You may notice frame rate issues with this video. All the action and day-of stuff was shot at 60i so it looked live. Progressive cameras such as the RED Epic and GoPro Hero 3 cameras were set to 30p. All the in-between segments were shot at 23.98 to give it a different feel. Unfortunately, this doesn’t translate to the web very well. But it looked great on NBC in HD.